Let it Rock: Make New Friends But Keep the Old

By Sues

This week was all about utilizing what I learned in Girl Scouts all those years ago. No, not building a fire or navigating my way out of a forest, but that whole “make new friends but keep the old” adage. And by “friends” I mean, “musicians who I consider to be my friends because I spend so much time with them and turn to them when I need to cry, sing really loud, or dance around in my undies.”

There were some great new releases this week from some of my favorite musical talents ever, in addition to some from bands I never knew. And while I may have fallen for some of the new stuff, I’ll always hold onto the old faves.

Mat Kearney- City of Black and White

If you don’t listen to Mat Kearney, you need to. He’s hard not to like, trust me. I loved him from the minute I heard his album Nothing Left to Lose in 2006; from his smooth voice to his meaningful lyrics to the fact that he spells his name with only one “t.” I’m also in love with his new album City of Black and White, which is filled with his smooth voice again and equally as many meaningful lyrics. And yes, he still spells his name with one “t.” If you like music like The Fray and Joshua Radin, you’ll likely enjoy Mat Kearney.

My favorite song is definitely “Here We Go,” but honestly, there’s not much I don’t like about Mat’s new album. “Never Be Ready” is also pretty awesome and I totally love the lyrics: “We’ll never be ready/If we keep waiting for the perfect time to come/Hold me steady, we’ll never be ready.” The only thing I really miss with this new album is Mat’s white boy rapping. I suppose this album does sound a bit more mature without it, but it was so incredibly fun it’s hard not to miss it. But I guess that’s how it always goes when friends start growing up and changing; they may be different, but you find a way to love ‘em anyway.

Mandy Moore- Amanda Leigh

Mandy Moore is probably one of my favorite people in the world. Ever since high school, if you asked me who I would want to play me in a movie, it would be her. I thought it was nearly impossible for me to like her any more and then she married my other favorite person, Ryan Adams. I thought the world would implode upon such an awesome marriage of two beautifully talented people, but thank God (at least so far!) it didn’t. And Mandy survived to make another album, Amanda Leigh. Now, before you think I’m some super Mandy fan who isn’t going to properly judge her album, I’ll admit right now, I was not a huge fan of her last album Wild Hope. I found it to be mighty boring. So I was super nervous for Mandy’s latest release. But she didn’t disappoint me at all.

Marriage must be doing something good for her because her album is absolutely amazing. The more I listen to it, the more I love it. Why is Amanda Leigh so much better than Wild Hope? It actually has a lot of personality, unlike the previous attempt. The first single “I Could Break Your Heart Any Day of the Week” actually gets you dancing, but also showcases her beautiful voice. It’s almost like “Candy” grew up….a lot. There aren’t really any songs on Amanda Leigh that I dislike, but I’m a really big fan of “Fern Dell” and “Nothing Everything,” which are both upbeat and fun. I also have to love “Merrimack” because it’s totally about the river I grew up next to. Oh, and I absolutely love “Bug” as well, because “Bug” is Ryan’s nickname for Mandy. OK, I’ll stop gushing about Mandy Moore now. At least until she and Ryan Adams come out with an album of duets. Then the world really might implode.

Phoenix- Wolfgang Amadeus Phoenix

I know I’ve head about Phoenix before, but I had no idea who they were or why should I listen to them. Then I learned they were “French Rock” and I still had no idea why I should listen to them. But then I listened to Wolfgang Amadeus Phoenix and now I know why I should listen to them. Because apparently I was made for French rock. And Phoenix is just awesome. Allegedly, the album’s first single “Lisztomania” is about Franz Liszt and his piano performances. I have absolutely no idea who Franz Liszt is, but I totally feel like I have this “Lisztomania” when I listen to Phoenix.

Phoenix is the kind of music that makes you get up and dance and throw your hands around in the air. I’m not kidding here. They actually sound a bit like NYC’s own MGMT, mixed in with a bit of The Strokes. And maybe a dash of Franz Ferdinand too. I don’t even know the band very well, but I already feel like they’re allowed to have songs like “Love Like a Sunset,” where they spend 6 minutes building up the song instrumentally, and then start singing with only a little over a minute left. It works! Wolfgang Amadeus Phoenix makes me wonder why more people I know don’t listen to Phoenix. And for that matter, why don’t more people I know listen to French rock? And what other French rock have I been missing out on? I’m grabbing my beret, heating up some crepes and working on building up my French music catalog ASAP. This is good stuff.