When the Internets talk, I listen. Really. Think about how easy the Internet makes it to discover new music.  Almost as easy as it is to find porn (but not quite as easy. It is way too easy to find porn on the Internet).  Sometimes when I’m bored, I just browse the Internet to discover new bands and I’m constantly shocked by how many artists and bands I’ve never heard of until I see or hear them online. And then fall instantly in love with them.

So, Internets, I thank you. Thank you for bringing us more than porn. Thank you for introducing me to this week’s new releases.

Metric - Fantasies

I had never heard of Metric before, but recently the Internets have been all abuzz about them. Not liking to be left out of things, I obviously had to listen. My first thought upon hearing the opening track of Metric’s new album, Fantasies, was “Wow, how catchy!” but in a sort of unique way. I instantly liked lead singer Emily Haines’ voice as she sung “Help I’m Alive,” and after doing a big of Googling (duh) discovered that she was born in India and has contributed to tracks from Broken Social Scene (so that’s where I know that voice).  Metric reminds me a lot of Tegan and Sara, but I actually think I already like Metric a bit better. The album’s first single, “Gimmie Sympathy,” is one of the most fun tracks on the album with lyrics to prove it: “I can feel it in my bones/Gimmie sympathy/After all of this is gone/Who would you rather be/The Beatles or The Rolling Stones?”

But Metric also does serious, which is quite evident on “Collect Call” with lyrics: “I know it’s a lie I want it to be true/The rest of the ride is riding on you/Over goodbyes we’ll buy some place/For wishing you could/Keep me closer.” Though I think the new wave sound of the music does a lot to make Metric unique, I’m pretty sure it’s Emily’s smooth voice that carries much of the album. And I have a feeling Metric puts on a killer live show. I hope I get to find out.

Silversun Pickups – Swoon

Another band the Internet loves that I had yet to discover.  I was not OK with that, so I gave their new album, Swoon, a listen and I started to enjoy them very quickly. I read that Silversun Pickups are often compared to The Smashing Pumpkins, which I could hear in the intros to songs like “Panic Switch” and also in lead singer Brian Aubert’s voice. But the songs sound a bit happier than The Smashing Pumpkins (in general), so I wouldn’t take the comparison too far. I also heard a sort of Kings of Leon sound, which is a very fabulous thing, in my opinion. I heard this especially in “Substitution” and “Catch and Release.” I really enjoy “Growing Old is Getting Old,” though the lyrics are quite depressing, focusing on our mortality: “So we all/Are growing old/And it’s getting old…Suddenly we decompose/But we’re not alone.” I really love the upbeat sound of “Sort Of” and found myself dancing around my room and accidentally memorizing the lyrics. And it’s always a good album when that happens. I guess there’s not much I didn’t like about Swoon and you have no idea how fast I’m going to be purchasing the Silversun Pickups’ older album. I actually sort of can’t believe I haven’t done it already. I can totally hear Silversun Pickups being played all over MTV and while I really do hope more people discover them and start to get obsessed like I am, I kind of like that not everyone knows them. I’ll try not to be greedy though.

Death Cab for Cutie- The Open Door

So this one I already knew, but it does seem like the Internet has always been obsessed with Death Cab for Cutie. Though it seems like Death Cab recently came out with a new album (they did! Less than a year ago!), there is no way I’m going to complain about yet another one from them. Yes, it’s only a 5-song EP, but it’s one to get excited about. The songs on The Open Door are a lot more upbeat than the Death Cab I’ve come to love, but they still have the same amazing lyrics and it was nice to hear something less mellow/make-me-wanna-cry-alone-in-my-room from them for a change. The album starts with “Little Bribes,” which is the perfect opening track. The tempo of the song is a lot more upbeat than the lyrics, but I kind of liked the contrast: “You said this city has a beating heart/That pushes people down the boulevard/And they’re all hoping for a wish fulfilled/In a desert for a dollar bill. “A Diamond and a Tether” is a bit more mellow and like the old Death Cab for Cutie, with the same deep lyrics: “I know you can’t hold out forever/Waiting on a diamond and a tether/From a boy who won’t flie/Who won’t take to the skies/If he thinks you’re about to say goodbye.” Lots of times EPs frustrate me because they’re filled with the leftovers from a previous album; songs that didn’t make the cut. But The Open Door isn’t like that at all. The songs are all so different from Narrow Stairs that they probably wouldn’t have fit in if they were on the album. My only complaint about The Open Door is that Death Cab didn’t record a few more songs and release it as a full-length album. But I really can’t complain at the delicious little taste they gave me with this EP.

The Quin twins, who established themselves as key players on the indie scene with their last album, So Jealous, are all grown up on this record.

The musicians blossom musically and lyrically on this record, their best so far in my opinion. The sisters’ distinctive harmonies are better and smoother than ever, letting you sink into their words.

Their lyrics are on-point as always, introspective and poetic in a way that feels like they’ve been reading your diary.

Give a listen to “Back in Your Head,” a relatable, simple song that, fittingly, will be stuck in your head, and “Are You Ten Years Ago,” which boasts a quirky beat with a techno quality that’ll surprise you if you’re a true blue Tegan and Sara fan.

The brilliance of this album is not immediate, so give it a listen twice before making up your mind.

You’ll be mouthing the words along to your iPod in no time.

From seemingly soft-spoken crooners (Jenny Lewis, Regina Spektor) to loud-mouthed firecrackers (Beth Ditto, Amanda Palmer) it’s no surprise that women have taken the reins from the guys and have proved that, they too, can rock as hard as any man. It’s time to let the ladies take over for a bit, and none too soon. Check out AOLmusic’s top female performers who are currently rocking the stage (and your iPod) right now. Photos after the jump:

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