This week was all about utilizing what I learned in Girl Scouts all those years ago. No, not building a fire or navigating my way out of a forest, but that whole “make new friends but keep the old” adage. And by “friends” I mean, “musicians who I consider to be my friends because I spend so much time with them and turn to them when I need to cry, sing really loud, or dance around in my undies.”

There were some great new releases this week from some of my favorite musical talents ever, in addition to some from bands I never knew. And while I may have fallen for some of the new stuff, I’ll always hold onto the old faves.

Mat Kearney- City of Black and White

If you don’t listen to Mat Kearney, you need to. He’s hard not to like, trust me. I loved him from the minute I heard his album Nothing Left to Lose in 2006; from his smooth voice to his meaningful lyrics to the fact that he spells his name with only one “t.” I’m also in love with his new album City of Black and White, which is filled with his smooth voice again and equally as many meaningful lyrics. And yes, he still spells his name with one “t.” If you like music like The Fray and Joshua Radin, you’ll likely enjoy Mat Kearney.

My favorite song is definitely “Here We Go,” but honestly, there’s not much I don’t like about Mat’s new album. “Never Be Ready” is also pretty awesome and I totally love the lyrics: “We’ll never be ready/If we keep waiting for the perfect time to come/Hold me steady, we’ll never be ready.” The only thing I really miss with this new album is Mat’s white boy rapping. I suppose this album does sound a bit more mature without it, but it was so incredibly fun it’s hard not to miss it. But I guess that’s how it always goes when friends start growing up and changing; they may be different, but you find a way to love ‘em anyway.

Mandy Moore- Amanda Leigh

Mandy Moore is probably one of my favorite people in the world. Ever since high school, if you asked me who I would want to play me in a movie, it would be her. I thought it was nearly impossible for me to like her any more and then she married my other favorite person, Ryan Adams. I thought the world would implode upon such an awesome marriage of two beautifully talented people, but thank God (at least so far!) it didn’t. And Mandy survived to make another album, Amanda Leigh. Now, before you think I’m some super Mandy fan who isn’t going to properly judge her album, I’ll admit right now, I was not a huge fan of her last album Wild Hope. I found it to be mighty boring. So I was super nervous for Mandy’s latest release. But she didn’t disappoint me at all.

Marriage must be doing something good for her because her album is absolutely amazing. The more I listen to it, the more I love it. Why is Amanda Leigh so much better than Wild Hope? It actually has a lot of personality, unlike the previous attempt. The first single “I Could Break Your Heart Any Day of the Week” actually gets you dancing, but also showcases her beautiful voice. It’s almost like “Candy” grew up….a lot. There aren’t really any songs on Amanda Leigh that I dislike, but I’m a really big fan of “Fern Dell” and “Nothing Everything,” which are both upbeat and fun. I also have to love “Merrimack” because it’s totally about the river I grew up next to. Oh, and I absolutely love “Bug” as well, because “Bug” is Ryan’s nickname for Mandy. OK, I’ll stop gushing about Mandy Moore now. At least until she and Ryan Adams come out with an album of duets. Then the world really might implode.

Phoenix- Wolfgang Amadeus Phoenix

I know I’ve head about Phoenix before, but I had no idea who they were or why should I listen to them. Then I learned they were “French Rock” and I still had no idea why I should listen to them. But then I listened to Wolfgang Amadeus Phoenix and now I know why I should listen to them. Because apparently I was made for French rock. And Phoenix is just awesome. Allegedly, the album’s first single “Lisztomania” is about Franz Liszt and his piano performances. I have absolutely no idea who Franz Liszt is, but I totally feel like I have this “Lisztomania” when I listen to Phoenix.

Phoenix is the kind of music that makes you get up and dance and throw your hands around in the air. I’m not kidding here. They actually sound a bit like NYC’s own MGMT, mixed in with a bit of The Strokes. And maybe a dash of Franz Ferdinand too. I don’t even know the band very well, but I already feel like they’re allowed to have songs like “Love Like a Sunset,” where they spend 6 minutes building up the song instrumentally, and then start singing with only a little over a minute left. It works! Wolfgang Amadeus Phoenix makes me wonder why more people I know don’t listen to Phoenix. And for that matter, why don’t more people I know listen to French rock? And what other French rock have I been missing out on? I’m grabbing my beret, heating up some crepes and working on building up my French music catalog ASAP. This is good stuff.

I’m not gonna lie: I was super excited for this week’s latest releases. Not because I love The Fray (though I do), and not because Country’s hottest star was out again (though he is), but because Melinda Doolittle was finally making her mark on the music industry.

Although, the other two weren’t too shabby either…

The Fray- The Fray

It’s been four long years since the Fray’s first release, How to Save a Life. But if you’re a fan of The Fray, then you would probably say their new self-titled album is worth the wait. The Fray is one of those bands with a distinct sound. Many of their songs may sound the same, with their slow starts and instrumental buildups, but that’s not necessarily a bad thing. If you like them, of course. After one listen-through of The Fray’s new album, I was already getting the songs stuck in my head. They’re not extremely complex tracks, but they’re catchy and easy to pick up. It’s also the perfect CD for when you’re going through a break-up; even “Happiness” is enough to depress you: “Happiness damn near destroys you/breaks your faith to pieces on the floor.” OK, then. But that’s The Fray for you and, frankly, that’s why I like them.

Dierks Bentley- Feel That Fire

Even if you’re not a fan of country music, I’m pretty sure it’s hard to resist Dierks Bentley. First of all, he’s hot. And second of all, his songs are extremely fun; more of a pop-ish type of country with a bit of Southern rock thrown in. I was a bit nervous since I found Feel That Fire‘s first single and title track to be super cheesy and typical country. But the rest of the album is actually much better than the single. One of the album’s highlights is “Beautiful World,” a duet with Patty Griffin. Also, “Pray” reminds me of the slower, reflective Bentley I’ve come to love: “Just because it didn’t last/Doesn’t mean that we were wrong/We both fell in love so fast/And now it’s gone.” To be honest, it would be extremely difficult for Dierks to beat his Long Trip Alone, on which every single track was music to my ears. So, while I enjoy Feel That Fire, I’d still choose his older stuff first.

Melinda Doolittle- Coming Back to You

I currently have American Idol fever, so when I heard Melinda Doolittle was coming out with her first album this week, I knew I had to listen. It was quite apparent what an amazing singer she was on the show two years ago, but I always thought she didn’t quite fit the Idol persona and, though she didn’t win, I figured she would still make it eventually. Melinda definitely does not disappoint with her first studio album, Coming Back to You and her Idol fans should be quite happy with the finished product. Each track on the album is a cover and, though I wish Melinda would sing her own music, the covers on her album aren’t obvious covers. In fact, I’ve never heard of most of them and the ones I have heard, I actually think I prefer Melinda’s versions. I was most pleasantly surprised by her cover of Faith Hill’s “If I’m Not in Love,” which she very much made her own while still staying true to Faith’s version. Thank God Melinda didn’t win American Idol because her contract never would have allowed her to make this album.

All images are from Amazon.com

This week: claiming rights to a band.

Example: The Fray, Maroon 5, Corinne Bailey Rae, The Backstreet Boys, Jesse Palter, Madonna, Ok-Go Tally Hall.

Some of these musicians you’ve heard of- some maybe not… some are or were huge stars, some are unsigned. Yet, if you listen to any of these artists’ songs in front of another person a conversation like this will ultimately ensue:

You: “How good is this song?”

ITRNO (Is That Really Necessary Offender): “Oh, this song? Yeah, this song is good, but I’m so sick of it now. I started listening to The Fray loooong before they were signed to a major label and way before their CD was available to the public. In fact, I knew every single word to this song before they even wrote it. So, ha! I am so cool. Way cooler than you because I listened to this band first.”

Okay, so maybe the last half was a teeny-tiny bit of an exaggeration, but you know that’s exactly what they are thinking and just not saying it outloud!

I don’t get these people! Do they want a cookie or a medal because they knew of a song or new artist first?!

I’ll say it: These people’s songs become massive hits for a reason. Obviously they are talented, or know how to write catchy lyrics (or they have others working for them who do-but that’s neither here nor there). And NOBODY, I repeat, NOBODY cares if you listened to them first.

Do you think that Adam Levine cares to hear that you knew his songs before he was signed? Absolutely not. Chances are, he is more grateful to the most recent person who bought his most recent album- because that person is putting money into his pocket right now (especially with the downfall of the music industry in the past few years).

So please, save your breath and save me from wanting to pull my hair out and just nod your head in agreement that this song is in fact, rockout-able.

I mean really, that whole speech where you proclaim your long history of adoration? Is That Really Necessary?

I think a big huge not.